Earlier this month I covered the 2013 ING New York City Marathon for the NY Times. It was nice to cover the official race again as last year it was cancelled due to Hurricane Sandy. This year I was assigned to cover the 1-mile stretch of the course in The Bronx at about Mile-20 as runners crossed the Willis Avenue Bridge from 1st Avenue in Manhattan and back over the Madison Ave Bridge into Manhattan.

It was clear security was much heavier this year as the course was guarded from blocks away from the actual course. Luckily, I was on a scooter and was able to snake through the snarled NYC traffic. I parked my scooter near the Madison Avenue Bridge and walked across the bridge into The Bronx. As it turned out I’d arrived quite early as I had to wait about an hour for the leaders to pass.

It was fun to chat with and see all the various supporters from local cheerleaders, a Japanese drumming team, bands, firefighters, and local residents cheer on the runners as they passed.

I made my way to the Willis Avenue Bridge and eventually spotted a building that gave me a great vantage point to make an overall shot and transmit my photos to the paper. It was worth the hike to the roof as the photo quickly made it to the NYTimes.com homepage!

I made my way back to my scooter over the first bridge and got back home to the Upper West Side where I transmitted once more before hitting Central Park as evening approached. I entered the park around 90th Street and walked toward the finish line at around 67th Street. As I made my way closer I was swarmed by Marathon finishers attempting to find their belongings and way out of the park.

One of my favorite parts of covering the Marathon is seeing the runners cross the finish line as it’s a very emotional moment for them. Overall, I had a great time covering this year’s race!

Last week I received a New York Times assignment to shoot a portrait of James Spader for an article about his role on Broadway in a new David Mamet play called “Race”. The brief shoot took place at the Ethel Barrymore Theatre in mid-town and was another one of those “set-up in advance and bang out a handful of frames with the talent” quickies.

I knew James Spader primarily from his Boston Legal television show in which he starred opposite William Shatner, but I’ve also seen a few movies where he plays eccentric characters, so I had no idea what he’d be like in real life. I found him to be one of the kindest and most willing celebrities to shoot with. I did have trouble trying to get much expression from him, but never the less I feel we had a very successful shoot.

For this particular shoot I met up with the play’s publicist who showed me around the theater, back rooms, basement, dressing rooms and I decided to choose the basement and a stairwell as the locations. With the help of my good pal and assistant, Noah Gilbert, I took some lighting tests and waited for Mr. Spader to arrive.

Once James arrived for the shoot it was very obvious he was going to be very easy to work with. When I shoot these celebrity assignments, I often bring a handful of lighting set-ups to get a variety of portrait options for my editor. I decided to bang out a few ring-light portraits while I had him near a brick wall…the first flash surprised him because of the brightness of the ring-light. At first I thought he was upset, but he quickly laughed it off and said, “It’s ok, I can handle the first act tonight seeing rings of light….anything for a good picture.”

Also, during the shoot another actor in the play came and pulled James away for a few minutes. Afterward James apologized explaining that he insists the entire cast gets weekly B-12 vitamin shots administered by his doctor to keep the cast healthy, and that was what the interruption was about. Smart idea considering the winter season and all the germs the playgoers must bring in each night. You have to be healthy to perform on Broadway.

Interesting fact I learned from James. As we were walking down to the basement to take a few more portraits, we passed an old poster for a play from nearly a half-century ago. On it was the profile of a woman and he mentioned how uncanny the resemblance was to Drew Barrymore. It took me a moment to put together that the woman in the poster was actually Ethel Barrymore, Drew Barrymore’s great-aunt, for whom the theater was named. Fancy that!

Here’s a quick snap I took with James in my basements set-up:

See the entire shoot by clicking here.