I had to arrive at the crack of dawn to wait, along with hoards of other press, while enduring the shrieks of Bieber’s diehard tween fans. I was in need of an Aspirin after this shoot. If headache is a symptom of Bieber Fever….I can certainly say I caught a case of it listening to them scream!

I quickly found that the press riser where many of the celebrity photographers lined up to shoot was not a viable option for me as I would’ve been crammed behind 40 other photographers. So I opted to shoot from the rear of the stage where nobody was shooting from. I really lucked out because I was able to pull off some nice frames shooting through the crazy fans. I like to stray from the pack and get something different….at least my photographs are unique versus everyone shooting from the riser getting the same canned shots.

I was also able to give Justin and his manager my prototype books containing the images from my all-access coverage at the Z100 JingleBall and they very much liked it, which made me quite happy. Perhaps a new project in the works!

Here’s the source of the headache:

Take a peek at a slideshow Justin Bieber’s TODAY Show concert.

Justin Bieber TODAY Show Concert – Images by Robert Caplin

Due to some Facebook requests, I’m going to bring out my Uma Thurman shoot.

This session was another press junket type situation at the Regency Avenue on Park Ave (Same as Phillip Seymour Hoffman) and for this junket she was making her rounds for her upcoming movie “Accidental Husband”, though I wasn’t shooting her for for that particular movie. As it turned out, I was scheduled directly after the entire day of interviews and photo-shoots for Uma, so she was dead-tired when her day was over and her publicists told her she has just one more shoot with me for the LA Times.

One of the thing’s I’ve learned about shooting celebrities is that time is VERY limited. Often less than 5 minutes and you’re done….this shoot was no exception. For beginners, I was given a hotel room what was literally turned upside-down with couches pushed vertically into the corners and a big round table littered with empty bottles of water and soda. I started with her out in the hallway of the hotel, directly outside the room I was given to photograph. Inside the room, I also had two more portrait situations set up so I could throw Uma in on the fly, if she gave me the time.

Right when Uma was arriving, I could just tell she was worn out and didn’t want to have to have anymore pictures taken. Oh boy…. I literally took a few frames in the hallway and she said:

“Ok, you got it, that’s enough, right?” and started to walk away.

“Actually, we have just a few more set up inside the room!” I interrupted in an excited tone.

I was able to persuade her to continue and enter the discombobulated room I was provided. At this point her hair/makeup stylist, a flamboyant fellow of about 5’5”, kept asking me to show him the photos on the back of my camera. Normally I decline because that leads the actor and the publicists to want to see and approve, but this time I obliged because I wanted the shoot to continue smoothly past 5 frames! It actually turned out to be a benefit because the stylist really liked the photos and he was extremely vocal about it, which cheered Uma up considerably!.

From there I snapped a few I’d prepared earlier at the window and in the corner of the room. I’ve found that getting to the shoot extra early helps me figure out a number of portrait scenarios so I have more than one set-up to choose from in the end. It also gives me time to have lighting in place and ready so the talent only has to step onto the mark.

Here’s a video I took the day of the shoot….it was originally for my grandmother back in Ohio…so excuse the nonsense talk. I cut most of it out! Tiffany Clark was assisting me the day of that shoot:

Uma was happy I only took a matter of minutes to complete her portrait session and took a snap with me!