Posts tagged ‘caplin’
36 Hours – Palm Beach, Florida
A few weeks ago I was in Florida visiting my grandparents in Naples and was able to also squeeze in a “36 Hour” travel story in Palm Beach, FL for the New York Times. Every week the NY Times Travel Section publishes a column called 36 Hours, which highlights a different city every week and essentially gives a laundry list of thing to do and places to visit should one spend a quick weekend visiting the city. I was tasked with finding pretty pictures of the beautiful, quirky Palm Beach.
Palm Beach for blog – Images by Robert Caplin
The NY Times article gave a brief history of the small island just off the cost Florida and also served as my tour guide bringing me to museums, restaurants, beaches, resorts, and bars to make pretty images. I had a very nice time and crammed a lot into the brief time I had in the city.
My next travel assignment will take me to Bogotá and Cartagena, Colombia in early April…and I’m certainly looking forward to it. If anyone has any advice prior to my South American adventure, please reach out and give me some tips!
One Day In Haiti
About a week ago I was surfing the web on my laptop, as I regularly do before I hit the sack, and came across a N.Y.Times video regarding a relief organization called Corporate Aviation Responding in Emergencies (C.A.R.E.). They are a group of volunteers from the business aviation community that coordinate flights for critical transport during major disasters such as the Haitian earthquake. It was mentioned in the video how they wished there was more media attention for private relief efforts like theirs because they can be far more effective getting to the outlying areas.
Haiti For Blog – Images by Robert Caplin
I immediately shot an email to the president of C.A.R.E. letting her know I’d be in Florida for a week visiting my grandparents, as well as shooting a travel assignment for The N.Y. Times, and I’d be more than happy to volunteer to fly a mission with them to help document their humanitarian effort and give a hand in any way I could. Much to my surprise, there was a response in my inbox when I woke up saying they’d love to have me!
I woke up at 4 AM this past Tuesday morning, left my grandparent’s home in Naples, and drove to the Fort Lauderdale Executive airport where I met Sueanne Campion of C.A.R.E., who had arranged for me to fly with pilot Rich Pickett. Rich had flown in from San Diego and has been flying back and forth from Fort Lauderdale and Haiti transporting relief supplies, medical personal, injured Haitians, and newly-adopted orphans.
Most of the seats had been removed from the Pilatus PC-12 in order to accommodate the relief supplies we would be transporting (ranging from generators, tents, food, walkers, and penicillin). Once all the supplies were loaded, we took off heading straight into the rising sun and over the Bahamas – it was quite a view. As I sat in the co-pilot’s seat and Rich, who is an aviation instructor, gave me some flight lessons. He even let me fly the plane for about ten minutes! (He was sitting right next to me, and for all I know it was on auto-pilot, but it sure felt like I was flying the plane!)
Soon enough we descended into Port-au-Prince. Rich circled the city once for me to take a few aerial photographs before landing. Once we landed, Haitians at the airport quickly off-loaded the supplies and numerous relief workers on the ground gathered them up.
While briefly on the ground at the Port-au-Prince airport, I met another photographer named Stacy Bourne, who originally came to Haiti as a journalist but has since stayed as a relief worker. We spoke for a bit and she told me about her plan to start a photography program for the teenagers near where she is staying. I thought it was a great idea, so I’m trying to help get the ball moving on my end. Here’s a video I shot of Stacy talking about this program.
If anyone is interested in volunteering their time to come to Haiti and help – or if you have any old digital camera gear laying around collecting dust – please shoot me an email and I’ll help get it to Stacy on the ground. I, myself, plan to go back for a spell to help her get the program started.
After no more than 30 minutes on the ground, Rich and I hopped back onto the jet and headed to another nearby town called Jacmel. We again looped around the city so I could shoot a few photos, then landed on the beat-up runway of the Jacmel Airport which was under the control of the Canadian Army.
The mission in Jacmel was to medevac four children with severe injuries: two girls with amputated left legs, a boy with a badly broken leg, and a 17-month-old child with cardiac issues.
The first thing I noticed when I hopped off the plane was an IMAX crew filming us. I’d never seen an actual IMAX camera before and it was obvious it’s quite a setup, requiring a crew of about six.
I headed into the airport where the children were waiting for us and met Dr. Katie Gollotto who lit up the room with her amazing smile and personality. She introduced me to the children and their parents and I began documenting the process of loading them onto the plane.
Again the turnaround was quick and as soon as we had them in the plane we rushed back into the air because we had to not only beat a storm cell that was headed for Florida, but we also were meeting another private jet that would be transporting the children to Philadelphia for medical treatment.
The flight back to the U.S. with the group of Haitians was truly a wonderful experience. Obviously it was most everyone’s first plane ride of their lives, so for about 3 hours they forgot about their injuries and were simply normal kids again, laughing and squealing watching the clouds roll by. At one point they all started singing.
On our decent into Ft. Lauderdale, Rich announced that he had called ahead to have four McDonald’s Happy Meals ready for the kids when we landed. Welcome to the USA!
Beyond a little turbulence we safely landed at Fort Lauderdale where we met the connecting flight (the Philadelphia Eagle’s private jet)…and the kids were on their way to Philly for treatment.
I can’t express how taken I was by the amazing people who work day-in and day-out to bring relief supplies and support to the people of Haiti. Major props to C.A.R.E. International’s Operation Haiti which has conducted over 500 flights with 2400 passengers and 700,000 pounds of critical supplies. Over 85 aircraft have been activated for the program, flying more than $4,000,000 worth of flight hours.
To all the volunteers I met and worked with during my brief stint with you, thank you for this incredible opportunity. I truly hope it is the beginning of a long relationship working together!
Here’s some video clips I took:
“Betrayed” – The Trailer
I’m very excited to announce the launch of “Betrayed“, a short thriller co-written and directed by Joshua Grossberg and starring Seth Gilliam (The Wire), PJ Sosko, and Cara Buono (The Sopranos). Betrayed, one of the first narrative works to be shot on the Canon 5D Mark II, follows husband and reporter James Vance (PJ Sosko) who mysteriously disappears, but not before leaving a cryptic video diary leading law enforcement to unravel the crime of his demise.
The making of Betrayed begins about a year ago when I shot my first video (a music video of my younger sister, Etana) with the 5DII. As I was sifting through the raw footage, my friend/filmmaker Josh Grossberg happened to be in my neighborhood and stopped by for a visit. Excited that I’d just finished shooting my first video, I showed Josh some of the footage and he was blown away with the quality produced by the inexpensive DSLR. It was at that point we began to discuss the idea of collaborating to create a film.
Together we reached out to our friends and suddenly we had dozens of talented and eager crew members willing to volunteer their time to make this film. It should be noted that the overall cost was kept quite low, especially for film standards.
As a still-photographer, I certainly learned a great deal from this experience. Making a film is far more complicated than taking a still image and requires far more time, patience, and persistence to get to the end. The ambitious 4-day shoot involved numerous company moves which meant dozens of crew members had to work together to move all gear, props, etc. to multiple sites to shoot additional scenes….at times moving everything/everyone to different Burroughs throughout NYC all in the same day. Needless to say, after four 16-hour days with little sleep and nonstop work, everyone was exhausted by the end.
After the principle photography was wrapped in the Fall of 2009, there were numerous pick-up shots and scenes that still needed recorded. I also led visuals as part of a smaller crew working with the cast to record the remainder of the film over the next few months.
As if shooting the film wasn’t enough, then came another hurdle, post-production. After many revisions, editing of the short was finished in late fall; subsequently the trailer was recently completed. The short itself is being submitted to film festivals worldwide with the goal of raising the financing needed to shoot the feature-length version.
The past year has been full of adventure, learning – and much stress. I’m glad to finally be able to give you all a peek!
Hope you enjoy the trailer!
Here are some production stills I took while working on the project:
Betrayed Behind-The-Scenes for Blog – Images by Robert Caplin
Justin Bieber: All-Access
Normally, following around a 15-year-old boy for an evening wouldn’t be that exciting – unless the young man is the newest overnight pop sensation, Justin Bieber, playing his first concert at the “World’s Most Famous Arena”, Madison Square Garden.
When I got the call to photograph Bieber, I didn’t have a clue who the young man was. My editor told me that he was a star born and discovered through the magic of YouTube and subsequently R&B artist Usher took Bieber under his wing – so began his transformation into a star.
Check out the NY Times Article here.
The concert at The Garden was actually a music festival put on by the NYC radio station Z100 called “Jingle Ball 2009” in which numerous artists, mostly those with the fan base of 12-16 year old girls, performed. Artists included Taylor Swift, John Mayer, Usher, Justin Bieber, Pitbull, Kris Allen, Jay Sean, The Frey, and Ke$ha.
I was tasked to follow along and document the evening with Bieber and his entourage, which consisted of managers, his mother, another young friend, myself, Usher, and a bodyguard. To my astonishment Justin was one of the biggest stars at the venue, with young girls screaming and squealing at any glimpse they were able to steal.
Because of the number of performers at this concert, there were numerous dressing rooms for the artists. As I walked down the hallway and passed the other artists’ rooms, it was obvious that Justin’s was the one that all the backstage pass holders wanted to be around, clogging the hallway around the door. I even ran into Harvey Weinstein who brought about 5 young girls backstage to meet Bieber and Usher.
I also ran into Trey Anastasio backstage, lead singer and guitarist for Phish. Though he’s played the venue a number of times, this time he was here with his young daughters in order for them to meet their teen idols. Since I’ve been to nearly a dozen Phish shows, I couldn’t help but strike up a conversation with Trey and snap a photo of us together. (Trey actually lives in my neighborhood and I see him walking his big, white dog from time to time.)
As Justin’s set neared, his management cleared the dressing room so that he and Usher could start warming their voices. I, too, was kicked out, but managed to talk my way back inside because he and Usher’s relationship is exactly what I wanted to share with NY Times readers. They first started dueting Usher’s song “U Got It Bad”, which they were going to perform together later on stage.
Afterward they started warming their voices using traditional vocal exercises, which was also pretty fun to witness. I’d never realized the extent in which pro artists had to warm their voices prior to performing. Being there shooting stills, I wanted to capture what I was witnessing, so I took some video mainly as a way to listen back to the audio. But after watching all the clips I took, my editors at the NY Times thought it’d be fun to share the video with readers.
The walk from the dressing room to the stage was a significant trek that had us passing numerous other artists’ dressing rooms, crew, and fans with backstage passes in the hall trying to steal a glimpse of the stars. Moving quickly and flanked by his entourage and security escorts, it was hard to even notice Justin in the middle as we swooped through the winding hallways. But as we passed, everyone – especially the young girls – took notice and swooned for him calling his name and asking for autographs.
Once truly backstage on the floor of The Garden, Justin and his crew met up for a quick pow-wow and before I knew it John Mayer was coming off the main stage and was shaking hands with Bieber.
As Justin went onstage, I ran to the front and shot from the pit (the area between the stage and the first row). With young girls screaming in my ear and clawing at my back to get to Justin, I continued shooting as Usher came out and performed his song, “You Got It Bad”, together with Bieber.
Before I knew it his set was over and I rushed back around and caught my favorite moment of the evening – when Justin and Usher came off stage together. There was a true moment happening in front of me as Justin looked up at his mentor while walking off stage at his first show in Madison Square Garden.
After Justin’s set, I broke off from his crew and decided to watch and photograph Taylor Swift who closed the festival.
It was an unlikely concert for me to attend, but it proved to be quite an experience!
Congrats Justin on your accomplishments!
Click HERE to see all 141 photos from the concert!
Here are some select stills from the show:
Justin Bieber Blog – Images by Robert Caplin
High Flyin’ with Vincent Laforet
Last week I received a fun instant message from my pal Vincent Laforet (who until 6 months ago was my neighbor on the UWS of Manhattan) letting me know he was on a plane cross-country back to JFK for one of his infamous helicopter shoots over NYC. He asked if I wanted to fly along. I accepted….it was a no-brainer.
I met Vincent and his right-hand man, Mike Isler, at the 30th St. Heliport on the West side of Manhattan after being told only to dress warm. I had nothing to do other than observe, so I brought along my cameras and documented the fly-along taking mostly video of the shoot with my 5D2‘s.
The photo shoot was to take a portrait – while hovering from the helicopter – of a couple in the crow’s nest of a NYFD fireboat with the Manhattan skyline lingering in the background for New York Magazine’s year-end issue. (This couple met on the flight that crashed into the Hudson River last year.)
I really had no idea the planning and preparation that went into one of these shoots. Vincent and Mike have the aerial photo-shoot down to a science. They work with only a handful of first-class pilots and have all the proper safety and photo gear necessary to get the best possible shot.
Click here to see NY Mag’s video!
I was to the left of the pilot strapped-in with a four-point seatbelt (waist and both shoulders) into the front seat of the AStar AS350 B2 facing forward, which, due to my restraints, made it a bit difficult for me to see all the action that was happening in the backseat behind me.
Vince and Mike worked as a team in the customized rear of the cabin in which the door and backseat was removed in order for Vincent to sit, ass-on-floor, with his hands and legs hanging out the side. Harnessed in with a full body harness, Vince would shoot out the side of the aircraft while behind him Mike would pass forward requested gear and swap lenses. Mike worked out of a secured Think Tank roller bag containing the equipment. Vincent also had an assistant on a chartered NYC Water Taxi vessel with ProFoto strobes firing remotely with Pocket Wizards, so as dusk came he could light the subjects.
On top of that, they had to tune out Air Traffic Control and helicopter-to-helicopter chatter, while communicating not only with each other and BOTH vessels, but also directing the talent in the crow’s nest freezing their butts off!
God knows I certainly enjoyed myself!
Big thanks, as always, to Laia Prats for her help editing the video!
Some snapshots I took while flying:
High Flyin’ With Vincent Laforet – Blog – Images by Robert Caplin
