Posts from the ‘portrait’ Category
Bad, Icky, Nasty, Creepy Elmo. Parents Beware!
Every so often I’ll get a call from an editor asking me to shoot an assignment that just makes me laugh. Tuesday was one of those days. Fresh off a plane from a two-week shoot in Hawaii, a metro editor at the NY Times rang me asking me to hop into Central Park (always my favorite assignment location) to photograph a “Bad Elmo”. Since I was off the grid from a full day of travel, I hadn’t heard about the recent news of a hate-spewing Elmo who was yelling at people the day prior. I’m talking about the silly people who dress up like characters and pose with tourists for money. Think Times Square or Hollywood Boulevard in LA.
Since I live right on Central Park West, I often get called for last minute assignments in the park, like this one. Apparently the reporter was doing some investigating and found the Bad Elmo in the same spot he was the day prior, posting with tourists and collecting $1 and $5 bills for his talent. Turns out these guys can make a pretty decent living doing this. He said his suit cost $300 off the internet and he can make around $200/day.
As he continued to speak with the reporter the story turned more and more disturbing and I was shocked to hear him be so candid, explaining that he was just let out of a psychiatric ward at the local hospital where he’d been held since the altercation that put him there a day earlier. He went on to give the reporter his background which involved both running and being an actor in a PORNOGRAPHY website based out of Cambodia he created called “Rape Camp”. That’s right parents, the Elmo that is on his knees embracing your children ran and acted in a website called Rape Camp.
So anyway…I just found it amazing how this creepy dude who was candidly talking about his disturbing past to a reporter was continually interrupted by parents so that he could be paid to hold their innocent little children. Hopefully the NY Times article gives you pause next time you see a random person waltzing down the street cloaked in a furry costume.
Parents Beware!
More Photos of Bad Elmo can be found in my archives.
One on One with Olympian Aly Raisman
A few years ago I started a relationship with US Weekly Magazine when they were running a special issue on Justin Bieber. For those of you who don’t know, I spent about 6 months shadowing him for a book project and subsequently as his tour photographer. I was surprised to find out that US Weekly high-quality special issues called “bookazines” about ten times per year that sell for $9.99.
So the magazine needed some pictures and I was a good source. Since then I’ve shot a few more times for the publication documenting the lives of celebrities. Most recently they sent me to Massachusetts to spend a few days with Olympic gymnastic hopeful Aly Raisman. Since my time with her in June, she’s gone on to qualify and is currently competing (and doing quite well) at the Olympic Games in London.
This shoot was a mix of documentary and portraiture as the magazine wanted to show various aspects of Aly’s life. For instance; she’s 18 years old, lives at home with her parents, was just asked to the prom by a friend, and spends obscene amounts of her time practicing her sport at Brestyan’s Gymnastics.
The day started when I arrived to her home and was first greeted by her two overly-excited dogs who put me through my paces until my newness wore off. She has a big family, two sisters, one brother, a neighbor friend who is apparently a fixture at their household. Also a Boston Bruin loving father and a sweet mother who homemade a wonderful buffet of great food and snacks.
After having her hair and makeup done, Aly gave me a tour of her family’s massive home and grounds. We took portraits in various locations around the home and outside in their vast yard. In her bedroom, she keeps every medal won, credentials, and ID numbers from her various competitions throughout her life. She showed me her prom dress and even her prom date came over for a portrait with Aly.
Interestingly, while I working there was a videographer named Torey Champagne who had been working on a long term documentary on Aly’s bid for the Olympics called Quest For Gold. He was a really cool guy and documented our photo shoot as well as interviewed me. His documentary is currently on Comcast Sports Net…I still haven’t seen it, but if you have…tell me if I made it in!
The next morning I visited her briefly at the gym where she was training with Coach Brestyan. I was simply blown away at how incredibly athletic Aly was. I’ve watch gymnastics on TV whenever the Olympics are on, but until you see the athleticism in person, you have no idea how intense these gymnasts are. When I arrived she was just finishing her bar routine and moving to the balance beam. First of all, that beam is 4″ wide…unbelievable…and she was doing armless flips and twirls with ease. Pretty soon her practice was wound down with a stretching routine that was simply painful to watch.
It’s always a pleasure documenting amazing people. Aly’s the real deal. Go USA!
Darren Criss Portrait Shoot for The New York Times
Last week I got a call from the New York Times asking me to photograph Darren Criss, the breakout star of the Fox high school musical series “Glee”, to accompany a story about his upcoming Broadway debut in “How to Succeed in Business Without Really Trying.”
One of the things I love about my job is the unexpected assignments I receive usually on a moment’s notice. This time my editor called around 5PM to schedule a shoot later in the evening on the Upper West Side of Manhattan at an old-school diner near Darren’s apartment. It happened to be very cold that night, so I opted to take a few pictures inside the diner so we could first warm up a bit.
I met the reporter, Patrick Healey, and soon after Darren arrived joyful with a big grin. It’s always nice to work with someone who is very upbeat and talkative. Darren, Patrick, and I had a hot tea to warm up and chatted a bit before I started shooting.
When I have celebrity shoots, I always try to arrive a bit in advance to scout the area for nice portrait locations because often I have little time with those subjects. I’m always looking for quality light sources, as I prefer to take naturally lit portraits as often as possible. I love documentary photography and I suppose shooting natural light is my way of merging the two genres of photography.
After capturing a few portraits of him enjoying a ice cream sundae at the bar in the diner, we walked outside and up the block to a bank of pay phones I’d scouted earlier. I liked the nostalgia of a pay phone, but what really drew me was the light from the adjacent Apple Store spilling directly into the booths.
I hope I cross paths Darren again in the future…until then, break a leg on Broadway!
Profile: Megyn Kelly of FOX News
I had an opportunity to photograph Megyn Kelly, the anchor of “America Live” on Fox News for a New York Times Style Section profile piece. I’ve always enjoyed shooting on the sets of television shows, whether they be sitcom, news, or dramas. It’s interesting for me to document how television is made.
I met Megyn on set a few moments prior to her live newscast. I wanted to get a good mix of documentary and portraiture, so I only spent a few moments on set taking her portrait, rather I wanted to document her while preparing for her show and delivering the news On Air. Normally when I shoot on a set, I can only roam and take photos freely during commercial breaks or through the glass of a control room because of the camera noise. This time, I was able to shoot continuously though the broadcast on set because I was using my new Leica M9, which is super quiet…just love that camera!
Her show is three hours long and afterward we rendezvoused in her office where I took more relaxed portraits. It was a small, but nicely decorated traditional office incorporating many photos of her family, her large shoe collection, and a comfy lounge chair set dozens of floors in the New York City sky.
Poor Megyn was suffering a mega cold the day of our shoot having to suck on lozenges and bear through awful coughing spells during commercial breaks. She has a tough job, especially when you’re under the weather!
I had a really nice time over at Fox News. I found their PR team, stage manager, cameramen, and Megyn herself were more than accommodating and super friendly. I also made my dad and grandfather proud having steeped foot in their favorite news channel’s headquarters!
Macaulay Culkin and Adam Green Portrait Shoot
I have to admit, it’s always fun meeting people you see on television and in the movies. I had the opportunity to photograph actor Macaulay Culkin (goes by Mack) for a New York Times article about how he and musician Adam Green had worked together to create a movie filmed entirely on an iPhone 3G.
For this assignment I wasn’t quite sure what to expect….I was to meet at Adam’s small, eccentric apartment in the afternoon and take their portrait. Green’s apartment was part of the movie’s set, so I planned to use the interior of his home as a backdrop.
After taking a handful of indoor portraits with a number of goofy, papier-mâché props from the movie, we took a short walk in the park across the street where the three of us chatted about our love of Manhattan, my touring with Bieber, and the women’s-sized, brown, leather jacket and police mug shot “Free Mack!” t-shirt Macaulay was wearing for the shoot. It certainly was an amusing conversation to say the least!
Adam and Mack were fun guys to hang around. I hope we have a chance to work together again in the future…or at least grab a drink!
More photos from the shoot in my archives:
Culkin/Green Shoot – Images by Robert Caplin
From The Archives: Actor/Director David Schwimmer
I had a great shoot a few months back with actor David Schwimmer of FRIENDS fame for a New York Times article. These days he’s directing movies and living in Manhattan with his wife and his new baby daughter.
Anyhow, as usual I wasn’t given much information about what or where I could or couldn’t shoot because my editors are working with his publicists. In general, the more people it takes to schedule a shoot, less information makes it’s way to me. Par for the course. I was simply told to meet David at the 92Y Tribecca.
Because I didn’t know exactly where I could shoot or how much time I’d have to bang out a portrait, I enlisted the help of my friend and fellow photographer Charles Ludeke. We arrived about 20 minutes early and checked out the neighborhood around the 92Y and quickly found a nearby location with a pedestrian bridge over the West Side Highway and a street with very little foot or car traffic. I took a few test shots of Charles before we headed back to the rendezvous where we were to met up with David.
Once David arrived, he was entirely friendly, non-rushed, and talkative. We really hit it off as his wife is also a photographer and we had a nice and somewhat geeky conversation about camera gear. He’s now familiar with DSLR cameras, using them for some of his productions.
For the most part, all the portraits I took were natural light with an extremely shallow depth of field. I used the city, streets, buildings, and bridge as a backdrop. I did break out a strobe (Canon 580) for one setup, but it was very simple. In fact, my assistant Charles became a human light stand and held the light for me.
All and all, I had a nice time and productive shoot. A few weeks before David had his new baby, he kindly invited me out to lunch to a restaurant in Greenwich Village. Not surprisingly he’s a great guy and just as friendly as he seems on the big screen.
David Schwimmer – Images by Robert Caplin
From The Archives: Director Jason Reitman; Juno
Jason Reitman – Images by Robert Caplin
Another dip into the photo vault finds the hot film director, Jason Reitman, currently in the news for his latest movie, Up in the Air, starring George Clooney. Check out this cool interview with Jason Reitman I caught on my NPR podcast.
When I was commissioned by the Los Angeles Times in Feb 2008 to take his portrait, it was for a critical essay by Dennis Lim discussing the ways in which the new crop of Oscar-nominated best directors are emblematic of the direction cinema is moving. I’d link the story, but I can’t seem to find it anywhere online!
Jason’s publicist squeezed the shoot into his schedule at The London, a fancy hotel in New York. I showed up about 20 minutes early in order to find the hotel room and set up a few different poses prior to his arrival.
The highlight was when I used one of my awesome jokes to try and get a smile from the director… ”So a neutron walks into a bar and orders a beer. The bartender sets the beer down and says, “For you, no charge!”…
…but I only got pity.
Hey Jason, if you’re looking for a production photographer for your next flick…you know where to find me!
From The Archives: Christina Aguilera
Christina Aguilera – Images by Robert Caplin
This dive into the archives goes back 3 years when I was commissioned by the NY Times on a last-minute assignment to photograph Christina Aguilera during a listening session for her new CD due to release back in the summer of 2006. The CD she was releasing was titled “Back To Basics”.
My editor at The Times called me last minute to see if I could run to the Sony Studios where Ms. Aguilera was playing her new tracks for friends and executives inside the studio. I quickly called up my buddy Noah Gilbert to give me a hand lugging my gear and assisting during the shoot. We arrived at the studio as the listening session was underway. As it turned out, my editor at the NY Times had worked with Aguilera’s publicist, who didn’t get in touch with her manager, so they had no clue I was coming! I had to use my silver tongue to get just a few moments to take the portrait.
We couldn’t set up the portrait during the listening session because the large studio was packed with 40-50 friends and executives. Leather couches were strewn around the studio and dozens of candles burned while Christina played each track and talked about the songs. After about an hour of lounging in the back of the room by the catering table (yum), Noah and I had about five minutes to set up and two minutes to shoot, all while guests lingered. Needless to say it was a rush job. My first thought was to take advantage of the soundboard since we were in the fancy studio. Unfortunately, after getting my lights set up, the sound technician had turned off the entire sound system. Due to the limited time and other pressing issues, he couldn’t boot the system back up, so we had to go with the flow: a soundboard switched off! Strict ethical policies at the NY Times prohibits any digital alteration, so I’ve never Photoshoped the soundboard into the “ON” position.
This was one of the more difficult shoots I’ve done due to the chaos in the room and Christina’s surprise of having to sit for a NY Times portrait after a long presentation. Though we were rushed, I was able to pull off a couple nice shots of the Grammy Award winner. In just the few moments I had with Aguilera, it was obvious she knew how to work a camera. I think I could have a lot of fun shooting an extended session with Christina should the day ever come.
Christina, have your people call my people….
NY Times Article and layout:
James Spader on Broadway
James Spader – Blog – Images by Robert Caplin
Last week I received a New York Times assignment to shoot a portrait of James Spader for an article about his role on Broadway in a new David Mamet play called “Race”. The brief shoot took place at the Ethel Barrymore Theatre in mid-town and was another one of those “set-up in advance and bang out a handful of frames with the talent” quickies.
I knew James Spader primarily from his Boston Legal television show in which he starred opposite William Shatner, but I’ve also seen a few movies where he plays eccentric characters, so I had no idea what he’d be like in real life. I found him to be one of the kindest and most willing celebrities to shoot with. I did have trouble trying to get much expression from him, but never the less I feel we had a very successful shoot.
For this particular shoot I met up with the play’s publicist who showed me around the theater, back rooms, basement, dressing rooms and I decided to choose the basement and a stairwell as the locations. With the help of my good pal and assistant, Noah Gilbert, I took some lighting tests and waited for Mr. Spader to arrive.
Once James arrived for the shoot it was very obvious he was going to be very easy to work with. When I shoot these celebrity assignments, I often bring a handful of lighting set-ups to get a variety of portrait options for my editor. I decided to bang out a few ring-light portraits while I had him near a brick wall…the first flash surprised him because of the brightness of the ring-light. At first I thought he was upset, but he quickly laughed it off and said, “It’s ok, I can handle the first act tonight seeing rings of light….anything for a good picture.”
Also, during the shoot another actor in the play came and pulled James away for a few minutes. Afterward James apologized explaining that he insists the entire cast gets weekly B-12 vitamin shots administered by his doctor to keep the cast healthy, and that was what the interruption was about. Smart idea considering the winter season and all the germs the playgoers must bring in each night. You have to be healthy to perform on Broadway.
Interesting fact I learned from James. As we were walking down to the basement to take a few more portraits, we passed an old poster for a play from nearly a half-century ago. On it was the profile of a woman and he mentioned how uncanny the resemblance was to Drew Barrymore. It took me a moment to put together that the woman in the poster was actually Ethel Barrymore, Drew Barrymore’s great-aunt, for whom the theater was named. Fancy that!
Here’s a quick snap I took with James in my basements set-up:
See the entire shoot by clicking here.
From The Archives – Uma Thurman
Uma Thurman – Images by Robert Caplin
Due to some Facebook requests, I’m going to bring out my Uma Thurman shoot.
This session was another press junket type situation at the Regency Avenue on Park Ave (Same as Phillip Seymour Hoffman) and for this junket she was making her rounds for her upcoming movie “Accidental Husband”, though I wasn’t shooting her for for that particular movie. As it turned out, I was scheduled directly after the entire day of interviews and photo-shoots for Uma, so she was dead-tired when her day was over and her publicists told her she has just one more shoot with me for the LA Times.
One of the thing’s I’ve learned about shooting celebrities is that time is VERY limited. Often less than 5 minutes and you’re done….this shoot was no exception. For beginners, I was given a hotel room what was literally turned upside-down with couches pushed vertically into the corners and a big round table littered with empty bottles of water and soda. I started with her out in the hallway of the hotel, directly outside the room I was given to photograph. Inside the room, I also had two more portrait situations set up so I could throw Uma in on the fly, if she gave me the time.
Right when Uma was arriving, I could just tell she was worn out and didn’t want to have to have anymore pictures taken. Oh boy…. I literally took a few frames in the hallway and she said:
“Ok, you got it, that’s enough, right?” and started to walk away.
“Actually, we have just a few more set up inside the room!” I interrupted in an excited tone.
I was able to persuade her to continue and enter the discombobulated room I was provided. At this point her hair/makeup stylist, a flamboyant fellow of about 5’5”, kept asking me to show him the photos on the back of my camera. Normally I decline because that leads the actor and the publicists to want to see and approve, but this time I obliged because I wanted the shoot to continue smoothly past 5 frames! It actually turned out to be a benefit because the stylist really liked the photos and he was extremely vocal about it, which cheered Uma up considerably!.
From there I snapped a few I’d prepared earlier at the window and in the corner of the room. I’ve found that getting to the shoot extra early helps me figure out a number of portrait scenarios so I have more than one set-up to choose from in the end. It also gives me time to have lighting in place and ready so the talent only has to step onto the mark.
Here’s a video I took the day of the shoot….it was originally for my grandmother back in Ohio…so excuse the nonsense talk. I cut most of it out! Tiffany Clark was assisting me the day of that shoot:
Uma was happy I only took a matter of minutes to complete her portrait session and took a snap with me!
