Every so often I’ll make a personal call and connect with someone I see on TV or the web, someone who I think is a really interesting person and I’d like to get to know a little more. First time I did this was with my friend Casey Neistat, a filmmaker I became familiar with after watching his HBO show “The Neistat Brothers“. I really took a liking to his personality and storytelling. We’ve since become friends, worked together, and I’ve become even more acquainted with his youngest brother, Dean, who is an actor, stuntman, and photographer himself.

Casey Neistat

Casey Neistat

What I found interesting about Casey was the fact that he had a fresh way of telling stories about his life while incorporating all sorts of social media into what he does. In addition to Twitter, Instagram, Facebook, and YouTube, he’s recently begun using the medium Snapchat to tell quick and dirty stories through his iPhone. Through his new Snapchat YouTube page I noticed he was friends with Jerome Jarre, another fella who I’ve been following through another app, Vine, where users post 6-second looping videos. So I asked Casey to introduce us.

Jerome is super popular on Vine with about 7 million followers and over 560 million loops of his Vine videos…that’s over a HALF BILLION plays… His short videos are simply hilarious and often over-the-top. With a thick French accent he takes to Union Square, a park near his apartment, to surprise unsuspecting tourists, locals, and nappers with jokes, songs, and utter randomness. As I scrolled through his profile page I found he’s even gotten the likes of Robert DeNiro, Pharell Williams, and Ansel Elgort to be in his Vines. He’s become so popular that he covered the Oscars red carpet for the Ellen DeGeneres Show.

We met at Jerome’s apartment before taking a walk through the city. We started in Union Square where I took a few portraits before he started getting mobbed by random fans, 99% teenage girls, asking to take photos with him, hugging him, and generally in awe of his presence. I asked him how it feels to have this sort of recognition and he admitted that it feels good. He explained that his followers feel close to him because they watch him wherever they are; school, work, before going to bed at night…

We eventually made our way down to Washington Square Park near one of my first NYC apartments to take a few more portraits. While we were there we met an artist who Jerome took interest in, made a connection, and perhaps they’ll work together someday in the future. That’s what’s great about living in NYC…you never know what sort of connection you’ll make or where it will lead.

It’s amazing to me that forms of communication like this exist. At the ripe age of 24, he’s carved out a career spreading joy and creating content in his unique way. The future is bright for Jerome…and I hope to document where life takes him in the future.

Ron played for the Yankees back in the 70s and even won a 1977 World Series Championship Ring. He took it off at one point and it was so tight, I didn’t think he’d get it back on!

The shoot took place at Yankee Stadium where I had access to the field and players dugout. I actually haddn’t worked in Yankee stadium since the 2009 World Series where I made a fun time-lapse.

As with all my portraits, my goal is to get as much variety as possible, so I arrived early with my assistant in order to find numerous options. As it turned out, Ron got a bit delated, so we ended up having some time to kill, all alone, while hanging out in the dugout and field. It was definitely a cool experience to be by ourselves in such a famous stadium.

Ron showed up for the shot and was a super nice and talkative. He was willing to spend as much time and pose however we wanted him. I really enjoyed his company during the shoot as he kept it interesting with all his stories from his career.

Another exciting shoot for a great client and awesome editors!

How the photo ran in the Sports illustrated iPad edition.

I keep up in the news, so I was very aware of their collective and the prison sentences some of them are serving for their recent unauthorized provocative guerrilla performance inside a church to protest of the Orthodox Church leader’s support for Putin during his election campaign. After playing only for 40 seconds before security guards stopped them, three ended up being charged with hooliganism and sentenced to prison and two fled Russia to avoid prosecution.

This shoot was different from most for a number of reasons. First, my subjects were anonymous as the group members wear brightly colored balaclavas and use only nicknames during interviews. I was photographing Fara and Shaiba. When asked who was who, one responded, “It doesn’t matter”.

When I arrived, the two small girls were unmasked and very warm to myself and the writer.  They were crashing, at least temporarily, at someone’s home prior to the premiere of their HBO documentary at a nearby theater, which they ended up attended unmasked in secret. What an experience to have to sneak into their own premiere.

I was told by one of their handlers that it was imperative that we not photograph their faces because the Russian government was after them. At the beginning of the shoot, they only wanted me to photograph them while masked inside the elevator of the building. Because that seemed very limited, I asked if we could try quickly taking their portrait, masked, at street level, but they didn’t want to risk causing a scene on the street and getting tracked, especially since their documentary premiere was just a few blocks away. There’s a good chance they’d be recognized and cause a scene.

I ended up scouting the stairwell of the building where, at the top, I found a ladder to the roof of the building. I pitched the idea of climbing up to the roof so we could photograph them outside in the golden light. They liked the idea, so we climbed up and made some really cool images.

I really had a fun time with this shoot. The secretive nature of the shoot was exciting and it felt like I was part of something somewhat historical. Good times!

A rendering of 432 Park Avenue, an 84-story tower. (Credit: dbox for CIM Group & Macklowe Properties)

For this particular assignment I was called the night before, which is unusual for the NY Times to give me so much notice. Typically I’ll get an early AM call to run out and cover a story happening within the hour. As with most other assignments, I was able to do a little extra research about Mr. Macklowe and found he’s quite an impressive person. One of the most striking achievements, in my opinion, was when he purchased the General Motors (GM) Building for a record $1.4 billion, then personally pitched to Steve Jobs the concept of the underground, glass-roofed, Fifth Avenue Apple store underneath the building’s plaza, which did it’s part to double the building’s price. Amazing.

Instagram I took of the GM Building reflected against the Apples Store last year.

Anyhow, not knowing how accommodating Harry would be, I was envisioning a quick portrait of him out in front of the property. When I arrived, I was happy to find Mr Macklowe extremely accommodating and eager to take the time to accomplish an unexpected portrait. We even started talking about photography as I found he’s a lover of photography and a big art collector.

We started the shoot out front where I made the images I’d originally envisioned. Then I started discussing my idea of placing Mr Macklowe onto the 2nd story window frame outside the edifice of the building, which was a 10-story shell at the time. From a distance it looked pretty simple, but as we walked deeper into the construction site, we realized the only way to get him into the position was to find a mechanical lift to hoist him up to the second story level from street level.

While we waited for the site boss to roundup the lift, Harry walked around the site to evaluate progress. One thing I found to be really rewarding was to see was the genuine smiles on both Mr Macklowe’s face and the faces of all the workers as they spotted him. Many came up to me asking if it was indeed the man funding the project. When I confirmed, they all wanted to shake hands with him because they were so happy to be working in this tough economy. Harry was extremely kind and shook hands with all who came up to him for a quick word. It’s nice to see someone is creating jobs and likewise to see those workers showing their appreciation. That’s a good thing.

Not only did I get a great variety of solid portraits from Harry, I was also able to do what I love most: document the lives of my subjects. Mr Macklowe won me over that morning, along with a number of construction workers.

Years back, I was given the opportunity to visit and photograph legendary artist Chuck Close at his New York City Studio.

The shoot was for the Los Angeles Times Calendar Section cover story on Chuck. I was familiar with some of his work at the time, but didn’t know much about him personally. In 1988 he suffered a collapsed spinal artery which left him paralyzed on one side of his body. Through rehabilitation, he’s able to continue his painting, which makes his artistry that much more amazing.

I was given an address of a non-descript apartment building on a corner in SoHo and was amazed when the door opened onto a two-floor studio. Chuck’s easel, if you want to call it that, is located In the back of the studio against connected to a lift that can move the artwork up and down on the wall between the 1st floor and the basement so he can work on his paintings at eye level from his wheelchair.

I wasn’t able to take an overall shot of the setup because the piece he was working on at the time, a portrait of President Bill Clinton’s face, was embargoed. I was able to take pictures of chuck around the studio and details of the painting. Though you can see the painting and setup in the background of one of the photos.

Since the shoot I’ve become more familiar with his work and have been taking note of his work whenever I see it whether at a museum, the web, or an office building. I’ve also run into Chuck a few times over the past 7 years at various events at the MoMA and the United Nations.

Anyhow, it was a really fun experience to meet Chuck. The man is a legend!

A chuck Close painting in the JP Morgan Chase Headquarters in New York City.

]]> http://www.robertcaplin.com/2013/01/tina-fey-and-amy-poehler/ Mon, 14 Jan 2013 14:23:27 +0000 http://www.robertcaplin.com/?p=2306

Last night I was watching the Golden Globes and just loved the two hosts, Tina Fey and Amy Poehler, who kept me cracking up all night. I thought it would be fun to take a look back at a photo shoot I had with the two of them back in 2008. The assignment was a press junket for their then new movie, Baby Mama. Like with any press junket, I’m tasked with showing up to a hotel, this time the Ritz Carleton in NYC, where I’m given a room to set up and have about 10 minutes to make a photo. I arrived early and decided the couch and stairwell would be the best spot.

One of my memories of this shoot was the insane amount of publicists and handlers that accompanied them into the room. Typically celebrities have a publicist in tow, but this time I counted at least seven who were all hovering over my shoulder while I was taking the photos.

The two were very funny and super nice…of course I had to get my photo with them!

The shoot was for the New York Times Business Day article about the company developing a new brand for China.

The assignment was pretty strait-forward in that I was simply tasked to take a portrait of Mr Freda in the lobby which was decorated like the late Estée Lauder home. ie old school wealth.

As with any portrait of a high-profile subject, my time was limited so I arrived early to figure out a handful portrait setups.

Whenever I’m in an office building with a view, I always try to get a nice photo from the window. As I looked north from the 47th floor over Central Park, one building dominated the foreground, the Sherry Netherland Hotel. I even mentioned to the publicist how awesome it would be to have a balcony iin that building. It wasnt 24 hours later that I got a call to photograph a $95 million listing within that very building. Crazy coincidence. 

I was saddened to read about the passing of architect Lebbeus Woods in the New York Times today. Back in 2008 I was assigned to take portrait of Mr Woods for the New York times for the Arts cover.

I arrived and Mr Woods made me feel right at home. I took a handful of natural light portraits using the light streaming in from his skylights and windows as well as a few strobed shots as well. He even took me into his bedroom where I made a somber portrait of him sitting on his bed with the sun illuminating just his face.

I was asked by the paper to try and incorporate him smoking as he is a unapologetic chain smoker…and he obliged, as you can see in many of the photos.

I also took a few photos of Mr Woods working at his desk when he began drawing on a piece of paper. After the shoot he was just going to throw the paper away, but I asked if I could take it and he said “sure!” and even signed the copy over to me.

What a nice experience I had him. My thoughts are with his family.

I know I’ve said it before, but what I love about my job is the variety of assignments I get mostly on a moment’s notice. Since I’ve been back in NYC from a week in Ohio shooting for a college, I’ve had a range of assignments each day since I’ve been back: a jazz club, an author’s portrait, a scent museum exhibit, Barbara Cook’s 85th birthday at Carnegie Hall, a dress rehearsal of a Broadway play, and most recently a rare portrait opportunity with NYC Mayor Mike Bloomberg.

It all started with a call around 10:15 AM asking if I could meet the Mayor on the Upper East Side across the park from where I live for a shoot that was still being arranged. It would be at either 11AM or noon. No problem. Quickly, I was told the shoot was at noon, so I thought I had some time to finish editing the previous evening’s shoot. At about 10:35 I get a call saying “change of plans, the mayor wants to meet you at City hall at 11AM. Now, I live on the upper West Side of Manhattan which is quite a trek from City Hall in the first place. To top it all off, I still hadn’t eaten breakfast or really gotten dressed for the day.

En route to the Upper East Side from City Hall with my subway friend.

So I had to quickly upload the photos I was editing while getting dressed and my gear ready to rush out the door in hopes of getting to City Hall by 11. I already knew the time was not going to work and told my editor as much, but I was their only hope of scrambling someone as the mayor’s schedule shifted. I grabbed a cab which took me to an express Subway station on 72nd Street and I took the 2 Train directly to City Hall. I was above ground right at 11, but after going through the security checkpoint outside City Hall, it was 11:15 by the time I was inside. At that moment I got a call from my editor just as a mayor’s aide said, “Sorry, he’s left!”

Ugh, so I spoke with my editor and she asked me to go back to the Upper East Side location, the offices of the Bloomberg’s charitable foundation, where the reporter and I would have about 45 minutes of the mayor’s time.  After waiting a bit, we were led to a room where we (well, the reporter) sat down and spoke with Bloomberg about his reason for not endorsing either presidential candidate. It really was an interesting conversation which led to a decent amount of photos of the mayor sitting in a chair gesturing.

Towards the end of the interview, I stepped out of the room and asked one of the mayor’s aides if he’d stand in while I found a couple of locations for portraits if I could convince Bloomberg to give me a minute or two of his time. As the interview concluded I asked the mayor if he’d allow me to take a few quick natural light portraits in a large gallery room with floor to ceiling windows. I used the window light to make about 3 separate portraits with different and distinct looks: a full, medium, and tight shot.

I knew that my editors would have a really nice variety of options both from the interview and portrait session with the mayor. As it turned out, only a photo of the mayor sitting alone giving the interview was used, so I thought this blog would be a good way to share the rest of the take!

And a few from 2008…