Posts from the ‘photojournalism’ Category
Sports Illustrated ‘Boston Strong’ Cover Shoot
It’s not every day you get to be part of a historic event like the one I had the honor to document this past weekend for Sports Illustrated. I got a call from my good friend Brad Smith, Director of Photography at Sports Illustrated asking me to stop by his office to discuss an ambitious project they were working on for the one year anniversary cover of the Boston Marathon bombing. On top of being involved in this over-the-top production, I was able to meet and work with a legendary portrait photographer who was hired to take the cover photo, Gregory Heisler. He’s shot over 70 covers for TIME Magazine, among many more publications. He’s also recently put out his first book, 50 Portraits, which showcase some of his most memorable portraits from the past few decades.
The idea was to photograph the mayor of Boston, along with thousands of Bostonians, wearing Boston sports colors and outfits, at the finish line of the Boston Marathon, the site of the tragic bombings one year prior. I know the whole Sports Illustrated team worked very hard to make such an event take place, especially the effort of Brad Smith should be commended. He personally made multiple trips to Boston to convince the mayor to shut down a busy city block for the morning and dealt with all the bureaucratic red tape. In addition, safety was a concern, so there was a noticeable police presence along with bomb-sniffing dogs. Safety was paramount.
The press release went out during the week prior to all Bostonians to show up at the finish line starting at 7AM for the 8AM arrival of the mayor. To our surprise there were already people lined up before 6AM when we arrived! I was tasked with making a time-lapse of the scene and documenting the entire process from a behind-the-scenes point of view.
The whole experience truly felt like a sporting event, as if the marathon was actually happening around us. The amazing thing was that we, the Sports Illustrated team, WERE the event! There was an estimated 3,000 Bostonians who showed up and packed tightly into the single city block. Everyone from survivors, first responders, organizers, firefighters, police officers, EMS, residents, their pets, and even the Boston RedSox World Series Trophy showed up for the shoot!
Gregory took the amazing cover photo while in a massive lift about 10 feet above the front of the crowd using a super-sharp Canon 17mm tilt/shift lens on a Canon 5D Mark III body. One of the things I love the most about Gregory’s work is how he uses light so subtly so that it feels like natural light. The entire street was in open shade, but he used a few strobes with an amber gel to subtly throw warm light across parts of the crowd making it seem like beautiful morning sunlight.
One trait of a talented photographer, beyond technical and creative ability, is how they interact with their subjects. It’s something that makes the best of the best stand out. Gregory got up in the lift and addressed the crowd of 3,000+ with a megaphone telling them how honored and excited he was to be given the privilege of photographing all the beautiful people. He made jokes and immediately lightened the mood causing laughter and cheer. It’s these sorts of traits that I will take with me in my own work and it’s something Gregory and I talk about in our recent podcast.
After about 10 minutes of actual shooting, it was all over and everyone dispersed back into the city. The group of people who showed up couldn’t have been better. There were zero incidents and after the shoot was complete we were amazed to see the streets completely clear of trash…almost unimaginable!
Thank you to Brad Smith and all of the Sports Illustrated team for allowing me to be part of this epic photo shoot. And thanks to the people of Boston for the inspiration showing your amazing resilience. This shoot will truly go in the record books!
2013 New York City Marathon
Earlier this month I covered the 2013 ING New York City Marathon for the NY Times. It was nice to cover the official race again as last year it was cancelled due to Hurricane Sandy. This year I was assigned to cover the 1-mile stretch of the course in The Bronx at about Mile-20 as runners crossed the Willis Avenue Bridge from 1st Avenue in Manhattan and back over the Madison Ave Bridge into Manhattan.
It was clear security was much heavier this year as the course was guarded from blocks away from the actual course. Luckily, I was on a scooter and was able to snake through the snarled NYC traffic. I parked my scooter near the Madison Avenue Bridge and walked across the bridge into The Bronx. As it turned out I’d arrived quite early as I had to wait about an hour for the leaders to pass.
It was fun to chat with and see all the various supporters from local cheerleaders, a Japanese drumming team, bands, firefighters, and local residents cheer on the runners as they passed.
I made my way to the Willis Avenue Bridge and eventually spotted a building that gave me a great vantage point to make an overall shot and transmit my photos to the paper. It was worth the hike to the roof as the photo quickly made it to the NYTimes.com homepage!
I made my way back to my scooter over the first bridge and got back home to the Upper West Side where I transmitted once more before hitting Central Park as evening approached. I entered the park around 90th Street and walked toward the finish line at around 67th Street. As I made my way closer I was swarmed by Marathon finishers attempting to find their belongings and way out of the park.
One of my favorite parts of covering the Marathon is seeing the runners cross the finish line as it’s a very emotional moment for them. Overall, I had a great time covering this year’s race!
Project Subway at New York Fashion Week
So I had a random assignment for the New York Times to cover a fashion runway show during NY Fashion Week. Normally I get fashion assignments from the Styles editor, but this request strangely came from the Business Desk.
Why? Well it’s because this wasn’t just any runway show, it was Project Subway. As in Subway sandwiches as part of a marketing campaign.
The basics were this….Subway had four designers compete in a challenge, like they do in the TV show Project Runway. The designers could only use accessories from a subway restaurant that were provided; napkins, plastic bags, plastic salad bowls, cups, and basic accessories mostly branded with the Subway logo.
I photographed backstage as the models and designers were getting ready for the runway show and was impressed with what they were able to make out of these materials.
After the show guest judges including Scary Spice rated the looks with a score of 1-5 footlong subs. #nom
After a tie, the one and only Jared, subway’s spokesman who lost 245 pounds on a subway diet voted and Danilo Gabrielli was declared the victor.
He won a years worth of Subway sandwiches…and of course the opportunity to have a show at New York Fashion Week.
Festes, Correfocs i Castellers!
I’m a lucky guy, I’ll admit that. I married a beautiful Catalan girl and regular travel to her hometown of Barcelona is a perk of the job!
We’re always trying to visit at different times of the year to experience all the city has to offer. Our previous trip was during the holidays, and our current trip during August is quite different. Barcelona in August is much emptier than anytime of the year as most of the locals take their summer holidays outside the city at the beach or in the mountains. Not only is the temperature drastically warmer, but there always to be some sort of traditional Catalan festivals taking place during each of our visits and this trip was no exception.
First there was a week-long festival in the Barcelona neighborhood of Gracia where the locals decorate their narrow streets into various-themed experiences. Residents work on the decorations year-round in much the same way as a group might build a large parade float. The various blocks within the neighborhood compete against each-other and are judged by local officials. In addition to street decorations, there are stages built for music and dancing, outdoor bars, fire runners called Correfocs, and Castellers who are those folks who build human towers.
The Castellers were pretty amazing to watch. Being the photojournalist, I jumped right into the mix and documented everyone preparing to build their human towers. There’s a lot of skill and concentration needed to build these towers as you could imagine. Everyone wears matching shirts and a cloth wrap around their stomaches and backs which allow the climbers a place to grip their hands and feet as they move up the tower. First there’s a massive base built that all the largest people create by smashing themselves together. Then the lighter castellers begin climbing on top of the base and building the structure. As the tower gets taller the smaller and younger the castellers get. In fact, the person who climbs to the peak of the tower, called the “enxaneta”, is always a tiny boy or girl between 5-10 years old!
It was really fun to watch all these people work. Their camaraderie, patience, and strength was obvious and the emotions they showed after successfully building and disassembling the towers was evident. In fact, the group of blue castellers had just completed their 100th 8-story human tower, so there was extra celebration and excitement.
Because my wife and I are always on the move visiting her family and taking various excursions around Europe, we only experienced a small portion of these festivities, but they were truly exciting and memorable experiences to say the least!
Lastly, we visited the Gothic Quarter of Barcelona last night (Barri Gòtic) that was ending their week-long festival with correfocs (fire runners dressed as devils) parading through he square and narrow streets. This was 424th year in a row for this particular festival. When we arrived to the area we found the correfocs gathered in the main square called Plaça de la Catedral accompanied by a group of drummers and surrounded by spectators. Quickly the all lined up and had their fireworks atop their pitchforks ignited and began running around the square shooting their sparks into the crowds.
They proceeded to march down the narrow streets led by a large dragon with fire shooting out of it’s mouth. There was nothing quiet about this parade as people were yelling, drummers were drumming, and the fireworks were spinning and popping. Fortunately I’d thought ahead and wore earplugs. I learned my lesson after shooting 85+ Bieber concerts years back!
Anyhow, I’ve found there’s always something fun to do and see when visiting Barcelona. While I’ve enjoyed all my previous visits, I think this trip is the most memorable in terms of zany festivals. I’d highly recommend a trip to Barcelona in August!
¡Visca Catalunya!
Coney Island Mermaid Parade 2013
My wife, Laia, told me last week that she really wanted to attend the Coney Island Mermaid Parade this year. She’d been to it twice before, once with her family who were visiting from Barcelona and another when I had just started on tour with Justin Bieber, both times I was unfortunately unable to attend. Coney Island is a place I rarely get to, so it was a nice change of pace to zip out to the beach on my scooter with Laia today.
I’m not sure what to say about the parade other than it’s Coney Island’s official start of summer, it has a Mardi Gras feel to it with dancing, some brass bands, and lots of people dressed in ocean-themed outfits. Oh, there’s a fair amount of boobs too. Lots of these outfits are made entirely out of body paint, so there’s some partial nudity.
We arrived before the parade started and walked around, ate some hotdogs, and scouted out locations to shoot. We bounced around from the start and finish and decided to hang out for a while at the end in hopes some participants would peel off and head to the beach. They did, which was nice because it gave me an excuse to get into the water a bit. It was super hot and the sun was taking a toll. Laia and I got a lot of sun today.
We decided to call it a day pretty soon after as we had another 1+ hour ride on our little scooter. Coney Island is the farthest we’ve brought our little bike. Another fun day in NYC! My photos are in the order they were taken.
Pussy Riot – NYC Photo Shoot
I love the randomness of my job. I always get calls out of the blue from my editors to rush out of my apartment with a moment’s notice to photograph just about anything. Just this past week I was summoned to rush down to Soho where I was to connect with a reporter and find the two still-in-hiding members of Pussy Riot, a Russian feminist punk-rock collective based in Moscow.
I keep up in the news, so I was very aware of their collective and the prison sentences some of them are serving for their recent unauthorized provocative guerrilla performance inside a church to protest of the Orthodox Church leader’s support for Putin during his election campaign. After playing only for 40 seconds before security guards stopped them, three ended up being charged with hooliganism and sentenced to prison and two fled Russia to avoid prosecution.
This shoot was different from most for a number of reasons. First, my subjects were anonymous as the group members wear brightly colored balaclavas and use only nicknames during interviews. I was photographing Fara and Shaiba. When asked who was who, one responded, “It doesn’t matter”.
When I arrived, the two small girls were unmasked and very warm to myself and the writer. They were crashing, at least temporarily, at someone’s home prior to the premiere of their HBO documentary at a nearby theater, which they ended up attended unmasked in secret. What an experience to have to sneak into their own premiere.
I was told by one of their handlers that it was imperative that we not photograph their faces because the Russian government was after them. At the beginning of the shoot, they only wanted me to photograph them while masked inside the elevator of the building. Because that seemed very limited, I asked if we could try quickly taking their portrait, masked, at street level, but they didn’t want to risk causing a scene on the street and getting tracked, especially since their documentary premiere was just a few blocks away. There’s a good chance they’d be recognized and cause a scene.
I ended up scouting the stairwell of the building where, at the top, I found a ladder to the roof of the building. I pitched the idea of climbing up to the roof so we could photograph them outside in the golden light. They liked the idea, so we climbed up and made some really cool images.
I really had a fun time with this shoot. The secretive nature of the shoot was exciting and it felt like I was part of something somewhat historical. Good times!
Billionaire Developer Harry Macklowe
Last week I received a call from the NY Times to take a portrait of billionaire developer Harry Macklowe. The story was about the new, mega-tall, ultra-luxury, residential skyscraper he’s building on Park avenue. This property boasts being the tallest residential building in the western hemisphere at 84-stories high. I was actually chatting with one of his marketing folks while on the property who mentioned it will actually be taller than the new 1 World Trade Center in terms of livable space, with the exception of the massive antenna on 1WTC. It’s currently at about 10-stories high, and the penthouse floor is already under contract for $95 million. Wow.
A rendering of 432 Park Avenue, an 84-story tower. (Credit: dbox for CIM Group & Macklowe Properties)
For this particular assignment I was called the night before, which is unusual for the NY Times to give me so much notice. Typically I’ll get an early AM call to run out and cover a story happening within the hour. As with most other assignments, I was able to do a little extra research about Mr. Macklowe and found he’s quite an impressive person. One of the most striking achievements, in my opinion, was when he purchased the General Motors (GM) Building for a record $1.4 billion, then personally pitched to Steve Jobs the concept of the underground, glass-roofed, Fifth Avenue Apple store underneath the building’s plaza, which did it’s part to double the building’s price. Amazing.
Instagram I took of the GM Building reflected against the Apples Store last year.
Anyhow, not knowing how accommodating Harry would be, I was envisioning a quick portrait of him out in front of the property. When I arrived, I was happy to find Mr Macklowe extremely accommodating and eager to take the time to accomplish an unexpected portrait. We even started talking about photography as I found he’s a lover of photography and a big art collector.
We started the shoot out front where I made the images I’d originally envisioned. Then I started discussing my idea of placing Mr Macklowe onto the 2nd story window frame outside the edifice of the building, which was a 10-story shell at the time. From a distance it looked pretty simple, but as we walked deeper into the construction site, we realized the only way to get him into the position was to find a mechanical lift to hoist him up to the second story level from street level.
While we waited for the site boss to roundup the lift, Harry walked around the site to evaluate progress. One thing I found to be really rewarding was to see was the genuine smiles on both Mr Macklowe’s face and the faces of all the workers as they spotted him. Many came up to me asking if it was indeed the man funding the project. When I confirmed, they all wanted to shake hands with him because they were so happy to be working in this tough economy. Harry was extremely kind and shook hands with all who came up to him for a quick word. It’s nice to see someone is creating jobs and likewise to see those workers showing their appreciation. That’s a good thing.
Not only did I get a great variety of solid portraits from Harry, I was also able to do what I love most: document the lives of my subjects. Mr Macklowe won me over that morning, along with a number of construction workers.
The People’s Bootcamp
About three weeks ago I was assigned to photograph an exercise “bootcamp” class for a New York Times Styles story. For those of you who don’t know, a bootcamp class is a short, high-intensity workout led by an instructor, sort of like a military bootcamp. Though I’m certain a real military bootcamp is much more difficult both mentally and physically, this class is intended for people who wish to have the same sort of high-intensity workout a trainee would in the military.
Anyhow, this particular bootcamp is called The People’s Bootcamp and is led by Adam Rosante and is a “pay-what-you-can” 45-minute workout. with a warmup and cool down. He had the idea to start his own bootcamp and when researching competition and found the prices of these classes were super expensive (some topping $50/class). Adam’s philosophy is that “effective lifelong fitness should be accessible to everyone regardless of what you have in the bank.” Awesome.
I was so inspired when I visited his class for the shoot that decided to begin taking the class myself and have since been to 5 consecutive classes since my original visit. I played sports all in my adolescence through to the varsity level in high school. Since then I’ve tried to keep in shape mostly by jogging in the park on a regular basis. I’ve tried various classes (yoga/spinning/boxing) and different gyms, but they were never my cup of tea…they also they were pricy. But when I was exposed to Adam’s bootcamp it brought me back to those days in high school when I was a football player and wrestler training. I knew this was something I wanted to do. There’s something about having a coach yelling at you and the camaraderie of executing difficult tasks with classmates all going through the same agony.
So, I highly recommend Adam’s class if you’re in the NYC area…if not, look for similar classes near you…they’re great because it’ll push you to your personal max no matter your fitness level or body type.
Thanks Adam for whipping me back into shape…still a long way to go!
From The Archives: Legendary Artist Chuck Close
Years back, I was given the opportunity to visit and photograph legendary artist Chuck Close at his New York City Studio.
The shoot was for the Los Angeles Times Calendar Section cover story on Chuck. I was familiar with some of his work at the time, but didn’t know much about him personally. In 1988 he suffered a collapsed spinal artery which left him paralyzed on one side of his body. Through rehabilitation, he’s able to continue his painting, which makes his artistry that much more amazing.
I was given an address of a non-descript apartment building on a corner in SoHo and was amazed when the door opened onto a two-floor studio. Chuck’s easel, if you want to call it that, is located In the back of the studio against connected to a lift that can move the artwork up and down on the wall between the 1st floor and the basement so he can work on his paintings at eye level from his wheelchair.
I wasn’t able to take an overall shot of the setup because the piece he was working on at the time, a portrait of President Bill Clinton’s face, was embargoed. I was able to take pictures of chuck around the studio and details of the painting. Though you can see the painting and setup in the background of one of the photos.
Since the shoot I’ve become more familiar with his work and have been taking note of his work whenever I see it whether at a museum, the web, or an office building. I’ve also run into Chuck a few times over the past 7 years at various events at the MoMA and the United Nations.
Anyhow, it was a really fun experience to meet Chuck. The man is a legend!
A chuck Close painting in the JP Morgan Chase Headquarters in New York City.
Living Nativity Scene
I’m not a very religious guy, so on my recent trip to Spain when I heard my group of friends wanted to go see a living nativity scene, I wasn’t exactly shaking with anticipation.
Whenever I visit my wife’s family in Barcelona, we always spend a couple of days in Vila-Sana, Catalonia with a group of friends and family in a large country house that can host all 17 of us. It’s in the nearby village of Linyola that they’re known for its living nativity scene.
Now, when I say scene, that’s a bit inaccurate. It’s more like an entire village from, well I guess around the BC/AD time, in which you’re totally immersed the people of the time. There are farmers, bread makers, craftsmen and woman, angels, devils, real farm animals, and of course the baby Jesus.
As you enter the nativity scene it’s a bit jarring the silence and the stillness of the actors who are posed, like a statue frozen in time. Occasionally you hear one of the many farm animals go BAAAA, oink oink, etc which is pretty funny. There’s also a few characters like e stone man who, though frozen in time, will slam down his axe to give kids a funny little scare…ok, he got me too.
The nativity scene takes about 20 minutes to walk through and honestly I feel like I didn’t get a chance to fully take it in. If I wasn’t with a large group I probably would’ve walked through twice.
The experience ends with some comedy too. In Catalonia there is a unique character in every nativity scene you simply don’t see elsewhere in the the world, the Caganer. Simply put, the Caganer is a man squatting down and taking a poop. His bare ass is showing and there’s even a pile of do below him, though his bare ass and poo were about the only part of the scene that weren’t real.
They take this character so seriously in Catalonia that as you exit the scene you’re confronted with the largest Caganer figurine in the world, 20ft tall with a plaque boasting its inclusion in the Guinness World Records.
Anyhow, I highly recommend the scene if you’re ever in Catalonia, you won’t be disappointed!
